Do Not Disturb is a dramatic recasting of the modern history of Africa’s Great Lakes region, an area blighted by the greatest genocide of the twentieth century. This bold retelling, vividly sourced by direct testimony from key participants, tears up the traditional script.

In the old version, an idealistic group of young rebels overthrows a genocidal regime in Kigali, ushering in an era of peace and stability that makes Rwanda the donor darling of the West, winning comparisons with Switzerland and Singapore. The new version examines afresh questions which dog the recent past: Why do so many ex-rebels scoff at official explanations of who fired the missile that killed the presidents of Rwanda and Burundi? Why didn’t the mass killings end when the rebels took control? Why did those same rebels, victory secured, turn so ruthlessly on one another?

Michela Wrong uses the story of Patrick Karegeya, once Rwanda’s head of external intelligence and a quicksilver operator of supple charm, to paint the portrait of a modern African dictatorship created in the chilling likeness of Paul Kagame, the president who sanctioned his former friend’s murder.

The debut novel by a British writer with nearly two decades of African experience - a compelling courtroom drama and a gritty, aromatic evocation of place, inspired by recent events. British lawyer Paula Shackleton is mourning a lost love when a small man in a lemon-coloured suit accosts her over breakfast in a Boston hotel. Winston Peabody represents the African state of North Darrar, embroiled in a border arbitration case with its giant neighbour. He needs help with the hearings in The Hague, Paula needs to forget the past. She flies to the state's capital determined to lose herself in work, but soon discovers that even jobs taken with the purest intentions can involve moral compromise. Taking testimony in scorching refugee camps, delving into the colonial past, she becomes increasingly uneasy about her role. Budding friendships with a scarred former rebel and an idealistic young doctor whittle away at her pose of sardonic indifference, until Paula finds herself taking a step no decent lawyer should ever contemplate. Michela Wrong has been writing about Africa for two decades. In this taut legal thriller, rich with the Horn of Africa's colours and aromas, she probes the motives underlying Western engagement with the continent, questioning the value of universal justice and exploring how history itself is forged. Above all her first novel is the story of a young woman's anguished quest for redemption.

A gripping account of both an individual caught on the horns of an excruciating moral dilemma and a continent at a turning point. When Michela Wrong’s Kenyan friend John Githongo appeared one cold February morning on the doorstep of her London flat, carrying a small mountain of luggage, it was clear something had gone very wrong in a country regarded until then as one of Africa’s few budding success stories. Two years earlier, in the wave of euphoria that followed the election defeat of long-serving President Daniel arap Moi, John had been appointed Kenya’s new anti-corruption czar. In choosing this giant of a man, respected as a longstanding anti-corruption crusader, the new government was signalling that it was set on ending the practices that had made Kenya an international by-word for sleaze. Now John was on the run, having realised that the new administration, far from breaking with the past, was using near-identical techniques to pilfer public funds. John’s tale, which has all the elements of a political thriller, is the story of how a brave man came to make a lonely decision with huge ramifications. But his story transcends the personal, touching as it does on the cultural, historical and social themes that lie at the heart of the continent’s continuing crisis. Tracking this story of an African whistleblower, Michela Wrong seeks answers to the questions that have puzzled outsiders for decades. What is it about African society that makes corruption so hard to eradicate, so sweeping in its scope, so destructive in its impact? Why have so many African presidents found it so easy to reduce all political discussion to the self-serving calculation of which tribe gets to ‘eat’? And at what stage will Africans start placing the wider interests of their nation ahead of the narrow interests of their tribe?

In January 2003, Kenya was hailed as a model of democracy after the peaceful election of its new president, Mwai Kibaki. By appointing respected longtime reformer John Githongo as anticorruption czar, the new Kikuyu government signaled its determination to end the corrupt practices that had tainted the previous regime. Yet only two years later, Githongo himself was on the run, having secretly compiled evidence of official malfeasance throughout the new administration. Unable to remain silent, Githongo, at great personal risk, made the painful choice to go public. The result was a Kenyan Watergate.

Michela Wrong's account of how a pillar of the establishment turned whistle-blower--becoming simultaneously one of the most hated and admired men in Kenya--grips like a political thriller while probing the very roots of the continent's predicament.

'A brilliant account of Africa’s most extraordinary dictator . . . This book will become a classic.' Economist

A sparkling account of the rise and fall of Mobutu Sese Seko, the charismatic dictator who plundered his country’s wealth and indulged a passion for pink champagne, gold jewellery and chartered Concordes. Absurdity, anarchy and corruption run riot in Michela Wrong’s fascinating dissection of the Congo; a story of grim comedy amidst the apocalypse and a celebration of the sheer indestructibility of the human spirit.

One small East African country embodies the battered history of the continent: patronised by colonialists, riven by civil war, confused by Cold War manoeuvring, proud, colorful, with Africa's best espresso and worst rail service. Michela Wrong brilliantly reveals the contradictions and comedy, past and present, of Eritrea. Just as the beat of a butterfly's wings is said to cause hurricanes on the other side of the world, so the affairs of tiny Eritrea reverberate onto the agenda of superpower strategists. This new book on Africa is from the author of the critically acclaimed In the Footsteps of Mr Kurtz. Eritrea is a little-known country scarred by decades of conflict and occupation. It has weathered the world's longest-running guerrilla war, and the dogged determination that secured victory against Ethiopia, its giant neighbour, is woven into the national psyche. Fascist Italy wanted Eritrea as the springboard for a new, racially-pure Roman empire, Britain sold off its industry for scrap, the US needed headquarters for its state-of-the-art spy station and the Soviet Union used it as a pawn in a proxy war. Michela Wrong reveals the breathtaking abuses this tiny nation has suffered and, with the sharp eye for detail that was the hallmark of her account of Mobutu's Congo, she tells the story of colonialism itself. Along the way, we meet a formidable Emperor, a guerrilla fighter who taught himself French cuisine in the bush, and a chemist who arranged the heist of his own laboratory. An arresting blend of travelogue and history, 'I Didn't Do It For You' pierces the dark heart of our colonial history.

Known as "the Leopard," the president of Zaire for thirty-two years, Mobutu Sese Seko, showed all the cunning of his namesake -- seducing Western powers, buying up the opposition, and dominating his people with a devastating combination of brutality and charm. While the population was pauperized, he plundered the country's copper and diamond resources, downing pink champagne in his jungle palace like some modern-day reincarnation of Joseph Conrad's crazed station manager.

Michela Wrong, a correspondent who witnessed Mobutu's last days, traces the rise and fall of the idealistic young journalist who became the stereotype of an African despot. Engrossing, highly readable, and as funny as it is tragic, In the Footsteps of Mr. Kurtz assesses the acts of the villains and the heroes in this fascinating story of the Democratic Republic of Congo.